( Taylor Swift has made a career out of this.) But every once in a while, you’ll get a duet such as “We Cry Together,” where you get to witness the whole squabble - or like in the Notorious B.I.G.’s “Another,” consisting of he and Lil’ Kim trading insults, although there’s something a little lighter and funnier about their exchange, aided by the song’s breezy R&B melody. Normally, it’s the wronged party making her/his case, addressing the other person directly. It’s not unusual in popular music to hear one side of an argument in a song. So what’s the crowd supposed to do at a kendrick lamar concert when ‘we cry together’ starts playing- We Love Rap May 31, 2022 Part of what makes “We Cry Together” so riveting is that you keep listening out of fear of what might transpire but never does. Nonetheless, the shouting is so upsetting that it conjures up the possibility that this fight could escalate into something worse. The song’s characters scream at one another, but there’s no physical violence - not even the mention of it. But where “Kim” overtly explored (and, arguably, sensationalized) domestic violence, “We Cry Together” never crosses that line. It’s also hard to imagine why anyone would voluntarily listen to it twice.” Like others, Barker compares the track to “Kim,” the harrowing, too-real 2000 song by Eminem in which he graphically fantasizes about killing his ex-wife after an equally vicious argument. Morale has largely gotten glowing reviews, even if they don’t entirely know what to make of “We Cry Together.” Writing in Variety, critic Andrew Barker called the song “a stunning work - an out-of-nowhere five-minute hailstorm of pure rage that leaves you staring at your speakers in disbelief. There’s no resolution and no further insight into what prompted all this - it’s just one loud, awful fight. It’s ugly and raw and weirdly intimate, like something we shouldn’t be hearing. Essentially, the two characters just tear into each other - the closest the song comes to a chorus is them yelling “Fuck you” back and forth to one another, over and over again. There’s no context for what’s happening - and other than a brief sample of Florence and the Machine’s “June” at the start, no hint of a melody. If you’re unfamiliar with the song, it’s a duet between Lamar and Zola actress Taylour Paige, who play a couple who are in the midst of a screaming match. Morale initially, checking out every track, but pretty quickly they realized that “We Cry Together” wasn’t something they wanted to revisit.
Still, this record-setting oddity only helped highlight what’s so corrosive about “We Cry Together.” Clearly, lots of people were streaming/downloading/listening to Mr. Variety looked into that claim and clarified it, pointing out that, yes, no song has ever plummeted 81 spots in one week, although seasonal songs such as Mariah Carey’s “All I Want for Christmas Is You” vanish from the Billboard 100 completely once the holidays are over. 16 (where it debuted) all the way down to No.
But it may end up being among the record’s most incisive moments.Įarlier this week, XXL noted that “We Cry Together” had achieved a bizarre distinction, becoming the song with the biggest single-week drop ever on the Billboard 100, falling from No. It’s really hard to listen to, and even the album’s champions are avoiding it in droves. There aren’t ear-piercing sound effects or droning noises in the song - it’s just a couple having a blistering argument, sparing no insult or cruel putdown. But few recent tracks have proven as assaultive as “We Cry Together,” the eighth song off Kendrick Lamar’s superb new album Mr. Whether it’s Lou Reed crafting a whole record of abrasive feedback ( Metal Machine Music) or U2 ending their 1993 album Zooropa with roughly 30 seconds of a grating siren noise, artists occasionally want to see how much their fans can tolerate.
Every once in a while, musicians try to make songs that will cause listeners to recoil.
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